Tuesday, June 13, 2017

Franz Schubert: Arpeggione Sonata in A minor (played on the arpeggione)



This sonata is very well known in transcriptions for cello and piano or viola and piano, but it is rarely played in its original version for arpeggione and piano. The arpeggione is a now defunct six-stringed bowed instrument with frets (essentially a bowed guitar), and Schubert's sonata is the only substantial composition for the instrument, which had been invented just one year earlier. Schubert's friend Vincenz Schuster, a virtuoso of the arpeggione, commissioned the sonata. This recording was made between 2000 and 2001 using a copy by Henning Aschauer of a 19th-century arpeggione built either by J. G. Staufer or by Anton Mitteis (part of the collection of the Prussian Cultural Heritage Foundation) and the 1824 Conrad Graf pianoforte from the Beethoven House in Bonn.

Arpeggione: Alfred Lessing
Piano: Jozef De Beenhouwer





Saturday, June 10, 2017

Jethro Tull: Aqualung





Sitting on the park bench --
eyeing little girls with bad intent.
Snot is running down his nose --
greasy fingers smearing shabby clothes.
Aqualung
Drying in the cold sun --
Watching as the frilly panties run.
Aqualung
Feeling like a dead duck --
spitting out pieces of his broken luck.
Whoa, aqualung

Sun streaking cold --
an old man wandering lonely.
Taking time
the only way he knows.
Leg hurting bad,
as he bends to pick a dog-end --
he goes down to the bog
and warms his feet.

Feeling alone --
the army's up the road
salvation a la mode and
a cup of tea.
Aqualung my friend --
don't you start away uneasy
you poor old sod, you see, it's only me.
Do you still remember
The December's foggy freeze --
when the ice that
clings on to your beard was
screaming agony.
And you snatch your rattling last breaths
with deep-sea-diver sounds,
and the flowers bloom like
madness in the spring?




Jethro Tull: Thick As A Brick






Really don't mind if you sit this one out.
My words but a whisper your deafness a SHOUT.
I may make you feel but I can't make you think.
Your sperm's in the gutter your love's in the sink.
So you ride yourselves over the fields and
you make all your animal deals and
your wise men don't know how it feels to be thick as a brick.

And the sand-castle virtues are all swept away 
in the tidal destruction the moral melee.
The elastic retreat rings the close of play 
as the last wave uncovers the newfangled way.
But your new shoes are worn at the heels 
and your suntan does rapidly peel 
and your wise men don't know how it feels 
to be thick as a brick.

And the love that I feel is so far away:
I'm a bad dream that I just had today
and you shake your head and say it's a shame.

Spin me back down the years and the days of my youth.
Draw the lace and black curtains and shut out the whole truth.
Spin me down the long ages: let them sing the song.
See there! A son is born and we pronounce him fit to fight.
There are black-heads on his shoulders, and he pees himself in the night.
We'll make a man of him, put him to trade
teach him to play Monopoly and how to sing in the rain.

The Poet and the Painter casting shadows on the water 
as the sun plays on the infantry returning from the sea.
The do-er and the thinker: no allowance for the other 
as the failing light illuminates the mercenary's creed.
The home fire burning: the kettle almost boiling 
but the master of the house is far away.
The horses stamping, their warm breath clouding
in the sharp and frosty morning of the day.
And the poet lifts his pen while the soldier sheaths his sword.
And the youngest of the family is moving with authority.
Building castles by the sea, he dares the tardy tide to wash them all aside.

The cattle quietly grazing at the grass down by the river
where the swelling mountain water moves onward to the sea:
the builder of the castles renews the age-old purpose
and contemplates the milking girl whose offer is his need.
The young men of the household have all gone into service 
and are not to be expected for a year.
The innocent young master - thoughts moving ever faster -
has formed the plan to change the man he seems.
And the poet sheaths his pen while the soldier lifts his sword.
And the oldest of the family is moving with authority.
Coming from across the sea, he challenges the son who puts him to the run.

What do you do when the old man's gone - do you want to be him?
And your real self sings the song. Do you want to free him?
No one to help you get up steam
and the whirlpool turns you `way off-beam.

LATER.
I've come down from the upper class to mend your rotten ways.
My father was a man-of-power whom everyone obeyed.
So come on all you criminals! I've got to put you straight 
just like I did with my old man twenty years too late.
Your bread and water's going cold.
Your hair is too short and neat.
I'll judge you all and make damn sure that no-one judges me.

You curl your toes in fun as you smile at everyone, 
you meet the stares, you're unaware that your doings aren't done.
And you laugh most ruthlessly as you tell us what not to be.
But how are we supposed to see where we should run?
I see you shuffle in the courtroom with
your rings upon your fingers 
and your downy little sidies 
and your silver-buckle shoes.
Playing at the hard case, 
you follow the example of the comic-paper idol
who lets you bend the rules.

So!
Come on ye childhood heroes!
Won't you rise up from the pages of your comic-books
your super crooks
and show us all the way.
Well! Make your will and testament. 
Won't you? Join your local government.
We'll have Superman for president
let Robin save the day.

You put your bet on number one and it comes up every time.
The other kids have all backed down and they put you first in line.
And so you finally ask yourself just how big you are
and take your place in a wiser world of bigger motor cars.
And you wonder who to call on.
So! Where the hell was Biggles when you needed him last Saturday?
And where were all the sportsmen who always pulled you though?
They're all resting down in Cornwall
writing up their memoirs for a paper-back edition
of the Boy Scout Manual.